Art is my primary outlet for maintaining my sanity after managing my graphic design business and vintage shop six days a week. As a result, I rarely take commissions, as creating art is my dedicated time for myself. However, a dear, longtime friend approached me to paint her daughter’s wedding bouquet after she struggled to press the flowers. Bailey, the young bride, is a remarkable young lady who graduated at the top of her class, and I cherish both of them. How could I possibly say, “No”?

This was suppose to be a test run, but it was going so well I couldn’t help but keep painting.

Jackson, Ann. (2025). Bailey’s Bouquet. [Acrylic mixed media on canvas]. Birmingham, AL: Private collection.

14 x 14 inch

A few years ago, while wandering in one of my favorite spots for solitude, a little red truck drove by. I felt a flicker of annoyance when it stopped and the driver began talking to me. To my surprise, he showed me how his dog could “drive” — a playful stunt that caught me off guard. Then, he pulled out his guitar and played a song, turning my annoyance into amusement. Naturally, I asked if I could photograph them.

Every time I look at those photos, I can’t help but laugh. I knew I had to paint the moment of the man playing his guitar while his Chihuahua squinted at me.

Jackson, Ann. (2026).Chihuahua Chauffeur. [Acrylic mixed media on cradle board]. Available.

1 x 14 inch

“Spring” is a celebration of transformation and hope. The interplay of colors creates a dynamic yet harmonious scene, inviting viewers to experience both the coolness moss beneath our feet and the warmth of renewal that heralds new beginnings. Every glance offers a reminder of the beauty that surrounds us and the joy that springtime brings.

As a vibrant exploration of nature’s revival, let the essence of “Spring” fill your soul with warmth and inspiration.

Jackson, Ann. (2024). Spring. [Acrylic on canvas]. Available. 36 x 36 inch

This piece captures the tumultuous journey of inner conflict, merging shadowy themes with vibrant contrasts. The achromatic black represents the weight of despair, drawing viewers into its depths. It serves as an emblem of complexity, inviting contemplation on the darker aspects of existence. Teal, as a striking counterpoint, introduces an element of calm tranquility amid chaos. The interplay between this cool hue and the surrounding darkness conveys a sense of hope, suggesting that peace can emerge from turmoil. Bold strokes of red inject passion and intensity into the composition, symbolizing anger, love, and the fierce emotions that often accompany struggle. This radiant energy invites the observer to confront their own feelings.

“Darkness of My Soul” is not just a visual representation but a narrative of the artist’s inner landscape. It invites viewers to confront their fears and paradoxes, emphasizing that understanding and acceptance are integral to personal growth. This piece stands as a testament to the complexities of the human experience, reminding us that even in darkness, light can find a way to emerge.

Jackson, Ann. (2023).Darkness of My Soul. [Acrylic mixed media on canvas]. Available.

Triptych – three 5 x 5 inch

The glow of the street light filtering through the blinds creates a captivating play of light and shadow on the nude body. The interplay of illumination casts intriguing shapes, accentuating the curves and contours of the figure. As the light dances across the skin, it produces a spectrum of warm colors, illuminating the space with a soft, ethereal ambiance. This beautiful juxtaposition of harsh external light and the delicate form within invites the viewer to appreciate the artistry in the way light interacts with the human silhouette, transforming an ordinary moment into a visual poem of shapes and hues.

Jackson, Ann. (2025).Blind Date. [Acrylic on canvas]. Available.

11 x 14 inches

After an evening out with friends, where I enjoyed three beers—one more than my usual limit of two—I found myself brushing my teeth topless while gazing in the mirror. The way my hair draped over half of my breasts sparked a memory of the Lady Godiva story. Naturally, I took a photo with my phone. Eventually, I transformed that image into a piece of art.

Jackson, Ann. (2022). Red Curtains. [Acrylic mixed media on canvas]. Available. 12 x 16 inches

Ghost Plant, also known as Indian Pipe, is a wildflower that thrives across much of North America, including Tennessee. I found that this delicate flower complemented the abstract background I crafted using handmade papers.

This piece was donated to the Cumberland Trail Conservancy and received the highest number of bids of the evening, which made me very proud. I often use the Cumberland Trail, located near my home, but time constraints and pollen allergies typically prevent me from volunteering when they’re working on the trail.

Jackson, Ann. (2024). Ghost in the Forest. [Acrylic mixed media on canvas]. Sale Creek, TN: Private collection.

12 x 24 inches

This canvas was originally intended to be part of my Time Warp piece, but it ultimately evolved into a triptych rather than a quadriptych. When I was asked to donate a piece to the Cumberland Trail Association, I contemplated the best approach. I decided that one of Tennessee’s wildflowers would complement the background I had already painted. Passion flowers turned out to be a perfect fit, especially since the theme focused on wildflowers.

Jackson, Ann. (2023). Passion Flowers. [Acrylic mixed media on canvas]. Chattanooga, TN: Private collection. 12 x 12 inches

Growing up, I drove my parents crazy with my habitual lateness. My relationship with time is quite peculiar; an hour can feel like just fifteen minutes, while a single minute can stretch into what seems like an hour. I often find myself navigating a time warp. This painting captures the essence of that experience for me.

Jackson, Ann. (2023). Time Warp. [Acrylic mixed media on canvas]. Available. Triptych – three 12 x 12 inch

Two pages from an old dictionary were given to me. While working on this piece, I focused on highlighting the word pusillanimous exposed. To my delight, I also I noticed the words Queer and Wench, which made me laugh. It was perfect–there was my title!

Jackson, Ann. (2023). Queer Wench. [Acrylic mixed media on canvas].  Columbia, TN: Private collection. 10 x 20 inches

This painting represents a journey. Initially, it felt like a river cruise, with rock cliffs rising on both sides. As I moved forward, I passed through Ta Prohm, an ancient temple, eventually arriving at a mystical doorway hidden behind a waterfall. The entire experience has been a remarkable adventure.

Jackson, Ann. (2023). Mystical Solitude. [Acrylic mixed media on canvas]. Available. 24 x 48 inches

Ghost Dance” is my first and, to date, only attempt at assemblage. Our artists’ group brought an array of cigar boxes and various materials to share for our assemblage class. Using a Native American figurine and a tiny dream catcher that my mom had given me, along with reproduction arrowheads that I already had, I decided to focus on that theme. I painted the image with the teepees and made the paper underneath. I found the bone on the lake shore. It was an enjoyable and rewarding project!

Ghost Dance front.
Ghost Dance back.
Ghost Dance drawing over homemade paper.

Cherokee Tale

The ancient tale of land and water, darkness and light. This was how children in towns and villages across the Southeast learned who they were, where their ancestors had come from, how the world itself had come to be. There were different versions – probably as many as there were old people – but the heart of the story was the same. Around the home fires of a Cherokee town, it might have gone this way:

Long ago, before there were any people, the earth was a great island floating in a sea of water, suspended by four cords hanging down from the sky vault, which was made of solid rock. It was dark and the animals could not see, so they got the sun and sest it in a track to go across the island every day from east to west, just overhead.

The Creator told the animals and plants to stay awake for seven nights. But only a few of the animals were able to, including owls and panthers, and they were rewarded with the power to go about in the dark. Among the plants, only the cedars, pines spruces, and laurels stayed awake, so they were allowed to remain green year-round and to provide the best medicines. The Creator chided the other trees: “Because you have not endured to the end, you shall lose your hair every winter.”

People appeared last, after the animals, the sun, nad the plants, but they multiplied so quickly that they threatened to overrun the world. So it was decided that each woman would have only one child a year, and it been that way ever since.

Through Indian Eyes – The Untold Story of Native American Peoples by Reader’s Digest ©1995

Jackson, Ann. (2022). Land and Water, Darkness and Light (Cherokee Tale). [Acrylic mixed media on canvas]. Soddy-Daisy, TN: Private Collection. 16×20″

This piece is SOLD.

Strength in the Face of Dissolution was challenging, but I decided to create another small paper piece, referencing a rock face, to see if it would be as difficult as the first—and it was.

I felt like inventing a jigsaw puzzle without the interlocking knobs and holes of traditional pieces. Most of the “puzzle pieces” are made from homemade paper, while the deep orange portion uses store-bought paper.


“Perhaps it’s good for one to suffer. Can an artist do anything if he’s happy? Would he ever want to do anything? What is art, after all, but a protest against the horrible inclemency of life?”  – Aldous Huxley

Jackson, Ann. (2022). Division Breeds Failure. [Acrylic mixed media on canvas]. Soddy-Daisy, TN: Available. 20×20″

The reference photo for this painting was a rock by the lake. The piece resembles a jigsaw puzzle, primarily composed of small, torn pieces of homemade paper, with a few store-bought papers included. It made my eyes cross and took a considerable amount of time to complete.

Jackson, Ann. (2022). Strength in the Face of Dissolution. [Acrylic mixed media on canvas]. Soddy-Daisy, TN: Available. 12″x24″
Jackson, Ann. (2022). Waiting. [Acrylic mixed media on canvas]. Chattanooga, TN: Available. 14″x14″

Initially, I aimed to channel Prince with the purple background. However, as the metal band Exodus’s song “Toxic Waltz“ played on iTunes during the creation of the piece, it ended up taking on a vibe reminiscent of a “Fabulous Disaster,” which is also the title of Exodus’s album.

Jackson, Ann. (2022). Toxic Waltz. [Acrylic on canvas]. Soddy-Daisy, TN: Available. 30″x40″

Samson just pulled down the pillars of the temple killing thousands of his enemies. Both of his wives had deceived him…the first by giving the Philistines the answer to his riddle; the second by cutting his hair which allowed him to be captured by the Philistines.

Samson’s riddle from Judges 14:

“Out of the eater came forth meat,
and out of the strong came forth sweetness.”
“What is sweeter than honey?
And what is stronger than a lion?”

Jackson, Ann. (2021). Sweeter Than Honey. [Acrylic mixed media on canvas]. Soddy-Daisy, TN: Available. 10″x30″

Suddenly, space travel appears to be on the verge of becoming accessible to the average person. Do you ever dream of soaring through space? Do you think that funds allocated for space exploration should instead be directed toward humanitarian projects, like feeding the homeless and supporting underserved children?

Jackson, Ann. (2021). Space Lint and Star Dust. [Acrylic mixed media on canvas]. Soddy-Daisy, TN: Private Collection.
Quadriptych – four 12″x12″

I was commissioned to create a pair of horse head paintings, with the backgrounds already completed and sketches underway when my client and good friend suddenly passed away.

A couple of months later, while examining the background of one canvas, I noticed it resembled denim. A smile crossed my face as I realized my deceased friend would appreciate the fact that I painted a denim-clad booty (my own) against his horse head background. And that’s how Cornbread Booty came to life.

As for the title? It’s a nickname given to me by an ex-co-worker. (Thanks, Zennia!)

Cornbread Booty needed a companion, so I created Lucky You to complete the pair.

“RIP Richard! You are missed tremendously, and I know you would be delighted with the outcome of your paintings. I can hear you saying, ‘Well, that’s what I really wanted but wasn’t going to ask.’”

Jackson, Ann. (2021). Cornbread Booty. [Acrylic on canvas]. Chattanooga, TN: Private collection. 10″x10″
Jackson, Ann. (2021). Lucky You. [Acrylic on canvas]. Chattanooga, TN: Private collection. 10″x10″

People who practice magic sometimes make “war water” using rusty items. The rust turns the water dark and it is then used in rituals for protection against malevolent forces.

War Water. (2021). [Acrylic mixed media on canvas]. Soddy-Daisy, TN: Available.
Diptyque – two 11″x14″

I grew up surrounded by sunflowers, but I never truly appreciated them at the end of their life cycle. Over the last few years, however, I have taken to photographing various dead plants and critters I encounter during nature walks, even in the bustling heart of downtown Chattanooga. This new perspective has opened my eyes to the beauty and complexity of decay, allowing me to explore themes of life, death, and transformation in my work. Each image tells a story, capturing the poignant beauty found in the remnants of nature that often go unnoticed.

Jackson, Ann. (2020). Nothing Remains the Same. [Acrylic mixed media on canvas]. Red Bank, TN: Private Collection.
11″ x 14″

This piece is SOLD.

What type of bridge do you need on your life journey right now?

Consider what you are seeking in your life: Is it a break from the past, a journey into new territory, or a means to strengthen connections? Each type of bridge offers a unique pathway to exploration and reflection.

Bridge symbolism:
A Break from the Past (Burning Bridges)
Conquering Fear and ‘Overcoming’
Transition & Change
Travel
A Meeting Point
Unity
Farewells
Connection to God
A Lifeline
Trust
Liminality
Romance
New Beginnings

Jackson, Ann. (2020). Urban Connection. [Acrylic mixed media on canvas]. Soddy-Daisy, TN: Available.

11″ x 14″

This abstract piece was created in October 2020, inspired by our pandemic circumstances. I began with a repeated symbol motif based on Celtic designs representing “evil” and “spirit.” My thought process was, “COVID-19 feels like an evil spirit enveloping the earth at this time.”

Ultimately, the final painting looked best with the symbols inverted, giving them an appearance reminiscent of mixed-up 666’s. My child playfully remarked that they resemble Picasso-style breasts. I titled the piece “Spirits In The Night” because I felt that few people would want to hang a painting called Evil Spirit in their home or office.

Jackson, Ann. (2020). Spirits in the Night. [Acrylic on canvas]. Soddy-Daisy, TN: Available.

11″ x 14″

This piece titled À Votre Santé (To Your Health) is inspired by a wine rack from a Chattanooga restaurant. Intrigued by its patterns and colors, I began working on the painting just as COVID-19 was beginning to spread in the U.S. During the pandemic, it became evident that women significantly increased their alcohol consumption—by 41% compared to previous years.

According to a RAND Corporation study, women reported 41% more heavy drinking days during the pandemic than they did before. Additional research indicated that the psychological stress associated with COVID-19 contributed to this increase in drinking for women, but not for men.

Hearing repeated reports about the overuse of alcohol during this challenging time fueled my inspiration as I worked on the painting. I thought about what working moms (and dads) with school-aged children were enduring; the upheaval in their lives undoubtedly created more stress than they had ever experienced.

I sincerely hope that the overuse of alcohol has decreased post-pandemic and that we are moving toward a state of normalcy and good health! – Ann

Jackson, Ann. (2020). À Votre Santé (To Your Good Health). [Acrylic on canvas]. Soddy-Daisy, TN: Available.

30″ x 30″

This stockinged beauty emerged from the painted background, inspiring me let her shine through. She appears sun-kissed, evoking the essence of warmth and joy, much like Bob Seger’s song “Sunspot Baby,” which played on repeat in my mind as I worked on the piece.

Jackson, Ann. (2020) Sunspot Baby. [Acrylic on canvas]. Chattanooga TN: Private collection. 16″ x 20″

Sunspot Baby by Bob Seger

She packed up her bags and she took off down the road 
Left me here stranded with the bills she owed 
She gave me a false address 
Took off with my American Express 
Sunspot Baby 
She sure had me way outguessed

She left me here stranded like a dog out in the yard 
Charged up a fortune on my credit card 
She used my address and my name 
Man that was sure unkind 
Sunspot Baby 
She sure had a real good time

I looked in Miami 
I looked in Negril 
The closest I came was a month old bill 
I checked the Bahamas and they said she was gone 
Can’t understand why she did me so wrong

But she packed up her bags and she took off down the road 
She said she was going to visit sister Flo 
She used my address and my name 
And man that was sure unkind 
Sunspot Baby 
I’m gonna catch up sometime 
Sure had a real good time

I looked in Miami 
I looked in Negril 
The closest I came was a month old bill 
I checked the Bahamas and they said she was gone 
I can’t understand why she did me so wrong

But she packed up her bags and she took off down the road 
She left me here stranded with the bills she owed 
She used my address and my name 
And put my credit to shame 
Sunspot Baby 
Sure had a real good time

Oh, Sunspot Baby 
She sure had a real good time 
Yeah, Sunspot Baby 
I’m gonna catch up sometime 
Sometime, oh

Gonna track you down, oh

Jackson, Ann. (2019)Jackson, Ann. (2019). Symphony in Lapis. [Acrylic mixed media on canvas]. Chickamauga, GA: Private collection. 20″x20″

This painting was inspired by a combination of architectural interiors.

Jackson, Ann. (2019). Fire and Ice. [Acrylic on canvas]. Soddy-Daisy, TN: Available.

20″ x 20″

A friend of mine remarked that this painting reminded her of the Honanki Heritage Site in the Coconino National Forest. After a quick Google search, the title was solidified, especially upon discovering the rock art dating back to AD 1150-1350.

Jackson, Ann. (2019). Honanki. [Acrylic on canvas]. Soddy-Daisy, TN: Available. 24″x30″

Using a reference photo I took in my yard, I painted this cluster of mushrooms. When one of the art girls asked how I chose the color scheme, I simply replied, “I used all my new paint colors!” This playful approach allowed me to experiment and explore a vibrant palette while capturing the essence of the mushrooms.

Jackson, Ann. (2019). Magic Mushrooms. [Acrylic mixed media on canvas]. Soddy-Daisy, TN: Private collection. 20″x30″

NASA’s Solar Dynamics Observatory encountered a rare oddity in October 2017: a dark filament encircling an active region of the sun. Solar filaments are clouds of charged particles suspended above the solar surface, held in place by magnetic forces. Typically, they appear as elongated, uneven strands. Intrigued by this phenomenon, I found a way to incorporate these celestial elements into my painting, drawing inspiration from their unique and dynamic forms.

Jackson, Ann. (2018). Encircling Filament. [Acrylic mixed media on canvas]. Soddy-Daisy, TN: Available.

24″ x 36″

13 You were in Eden,
the garden of God;
every precious stone adorned you:
carnelian, chrysolite and emerald,
topaz, onyx and jasper,
lapis lazuli, turquoise and beryl.[a]
Your settings and mountings[b] were made of gold;
on the day you were created they were prepared.

14 You were anointed as a guardian cherub,
for so I ordained you.
You were on the holy mount of God;
you walked among the fiery stones.

15 You were blameless in your ways
from the day you were created
till wickedness was found in you.

Jackson, Ann. (2015). Vexation. [Acrylic watercolor on paper]. Soddy-Daisy, TN: Private collection.

30″ x 22″

Dear John,

After careful consideration, I have decided things are just not working out between us. I made certain guidelines for myself years ago and, quite frankly, my boyfriend looking better in a dress is one of them. So I’m afraid it’s over.

Sincerely, Ann

P.S. Kindly return all my clothing you borrowed


My friend Laura jokingly suggested the above words for the letter after I mentioned wanting it to be a “Dear John” letter but wasn’t sure what to write. She found it hilarious that I actually used her suggestion in the painting.

Jackson, Ann. (2015). Dear John. [Acrylic watercolor on paper]. Soddy-Daisy, TN: Private collection.

30″ x 22″

Babylon as the quietly aching mother of all abominations. Judas kisses of the final death sparking behind her eyes with the original sin of the first come hither glance that leads to utter destruction. Composed lips of seductive million Hiroshima. (written by Zach Burnette)


Jackson, Ann. (2014). Babylon – Stealer of Souls. [Acrylic watercolor on paper]. Soddy-Daisy, TN: Private collection.

30″ x 22″

The initial four colors I used to start this experimental piece reminded me of gazing down into a lake, observing the various types of fish swimming among the milfoil. As I painted, those fish began to emerge on the canvas, capturing the lively essence of that underwater scene.

Jackson, Ann. (2018). Riverbank. [Acrylic watercolor on paper]. Soddy-Daisy, TN: Private collection.

30″ x 22″